In celebration of Thanksgiving, I decided that I would leave my readers with a turkey. Gobble gobble!

 Attack of the 50 ft. Woman has maintained a reputation and a cult following for being a particularly ridiculous movie. Make no mistake, this movie truly is silly. The 1950’s were pretty much a golden age for science fiction movies, especially ones that featured some kind of monster. In fact, during this time the giant monster trend was in full swing. Godzilla came out in 1956, and before that were several other classic massive monster hits. Most movies from this era had a theme going on that reflected a real world fear held by society. Invasion of the Body Snatchers (also 1956) embodied the fear of communism coming to the United States. Godzilla was a representation of the terror of nuclear warfare. Attack of the 50 ft. Woman symbolizes…the threat of powerful, liberated women. Of course, you can only find such silly things in America.

Attack of the 50 ft. Woman is about a millionaire woman (Allison Hayes) married to a cheating scoundrel (William Hudson) who desperately wants to murder her so he can get at her money and run off with a slutty blonde. He sees an oppurtunity to get rid of her when she shows signs of insanity and drunkeness. She claims she encountered a giant and his space vessel. No one believes her, although the police play along out of a weird sense of respect. Best not to upset the highest paying taxpayer. After some time, contact with the alien has exposed her to some strange form of radiation, which causes her to grow. At this point, she decides she has had enough of being taken for a fool. The story is about as short and sweet as it sounds. The entire movie is barely over an hour in length.

While the premise is pretty hokey, the plot and its delivery are actually much better than you might think. During the 50’s, these monster movies weren’t exactly intended to be A list masterpieces. The acting and writing in this one are pretty good, comparatively speaking. Many of the characters are not purely good or evil. Some are, but it isn’t as overdone in many modern monster movies. The only man with a heart of gold is the butler, and he makes a pretty inept kight in shining armor.

That being said, there are plot holes so large an oversized Allison Hayes could fit through them. No bystanders ever see the giant alien, even when it moves in populated areas. The sheriff in town hates wasting taxpayer money, but he still lets his sidekick dink around when he should be on duty. Hayes wears the most desirable diamond in the world around her neck, even though anyone could snatch it off her neck. These might seem like trivial gripes, but when you put them altogether they are very noticable. Of course, its things like that that make this a B movie.

50’s monster movies might be notorious for poorly concieved monsters and plastic and rubber costumes, but the effects in this movie are pretty bad-even for the time. This was released just one year after the Amazing Collosal Man. The visual effects in that film were pretty good at the time, and created an acceptable image of a rampaging giant. The supposed giants in Attack of the 50 ft. Woman look more like large ghosts. They are almost transparent. While todays special effects surpass the technology of the 50’s by leaps and bounds, there really is no reason for me to be able to see through someone that is supposed to be a massive powerhouse.

Make no mistake, this movie is most definitely a turkey. It was always pretty much meant to be. However, it is a turkey that at least tries to be serious with at least some success. The characters have some personality to them.  While this movie is something to laugh at with a friend, it still at least has a semblance of quality. In the end, I suppose this as being a turkey…with some extra flavor to it.

5.0 out of 10